Kiwi men and Kiwi women at the festival “Big Day Out”. Part 1

In the middle of summer, on a gray January day (notably on January 21st), another festival  “Big Day Out” was held here in Auckland. I managed to sneak a many-megapixel camera. I put a film camera on the top of things in my rucksack and sweet-talked the supervisory man whose task was to inspect personal things. I said there was a film a German 50-year-old film camera and a film here in the pocket. IAE, he didn’t notice my black Canon 550D with a small portrait lens, which was on the very bottom of the sack. So I got a chance to shoot.

For readers not to be tired I will divide the posts from the “Big Day Out” into three parts. I will alternate them with stories about my recent rest on a very-very tropical island Rarotonga.

I and my friends prepared for the festival beforehand. We decided that at the age of about thirty we won’t be able to stand there since very morning. So we chose the performers we liked out of the festival list, made up kind of a schedule for ourselves and “moved up” to the festival by 4 pm. A complete list of participants follows. We ‘ve managed to listen to those whose names are highlighted with bold.

Tool, Rammstein, Iggy And The Stooges, M.I.A, John Butler Trio, Grinderman, Sia, Bloody Beetroots Death Crew 77, Wolfmother, Lupe Fiasco, Deftones, Die Antwoord, Birds Of Tokyo, Primal Scream — Screamadelica Live, LCD Soundsystem, Edward Sharpe & The Magnetic Zeros, Plan B, Booka Shade (Dj Set), The Naked & Famous, The Jim Jones Revue, Airbourne, Andrew W.K., Crystal Castles (Nz + East Coast), CSS, Ratatat, Kids Of 88, Silent Disco Djs, Wunmi, Reggie Watts, Shihad The General Electric Live, The Greenhornes, Blackmilk, Balloonatic, Red Bacteria Vacuum, Kora, Die! Die! Die!, Bulletproof, I Am Giant, Six 60, Street Chant, Steriogram, The Phoenix Foundation, Bang Bang Eche, Kody & Bic, Aural Trash, Ghost, Mt Eden Dubstep, Dj Meltron, Dj Cxl, Harry The Bastard, Luger Boa, Knives At Noon, Three Houses Down, Homebrew, Computers Want Me Dead, Tommy Ill, Family Cactus, Surf City, Grayson Gilmour, 1995, The Earlybirds, The Unfaithful Ways.

As soon as we came to the stadium area where the festival was held, we met a large group of people dressed in a strange way. I automatically pressed the shutter release. BDO is a tradition for many people and a reason to wear costumes. People around did not care, there was a smell of grass, people smoked right there in the crowd.

Deftons have just finished playing and people are flooding from the scene (out of the picture) to buy food and drinks. As far as there is no admission to BDO for people younger than 15 years old, the drinks are sold in special “runways” but they are to be taken only there, on the spot, because 99% of the festival rest area is alcohol-free.

This year the symbols of the festival have been of samurai-Japanese theme. In the “planked” house in the center of the field, there was a mixer board, cameras and other technical rubbish concealed from view .

If I get it right it is a hipster boy.

Faces and shoulders of those who came to the festival early in the morning were red. The cruel New Zealand sun “works” in any weather. 

Honestly speaking, that time I’ve got a feeling that the whole point of the BDO festival is in hanging about, roaming from one stage to another and waiting for one’s friends and acquaintances: next to a stand, near a shop or a toilet. It seems to me that the sun glasses did not suit me that day.

In fact, in New Zealand people smoke not much (smokers are less than 22% of the population). In Russia, 75% of men and 21% of women smoke regularly, it is a kind of weigh control, aha).  Cigarettes rolled by smokers are considered to be less dangerous for health. Sure, it is not true, there are even more resins in those do-it-yourself cigarettes.

I had to smile much to people, and show the pictures on the camera screen, and give out calling cards to make people’s reaction to camera milder. Of course, nobody tried to take the camera from me or, for example,  to spit t in the lens. Some people simply made very wry faces.

You can imagine what was left from the green grass of the stadium’s rugby field in the rain. One could easily recognize those who had managed to visit both main stages – orange and dark-blue – by their soiled boots and dirty legs (up to the very knees).

Teenagers-hippie are just teenagers-hippie everywhere across the globe. There was time when I, too, wore hair up to the middle of my back and a bandana with smileys.

Children-hippie grow up into such bearded uncles-hippie.

This area was called a “Boiler room”.  Electronic guys like M.I.A. played there under the tent which looked more like a circus marquee.

Kiwi DJ at work. It goes without saying that he has got the Mac.

To shoot people in a dark moving crowd was not an easy task, so I had to roam about the periphery because there was enough street lighting.

Hyper-stirring South African electronic guys named Die Antwoord.  Their symbol is the kind  ghost Casper holding his own log-like penis. They are good guys, watch the video.

Photos of accidental passes-by will help you to get the idea of the Kiwi youth.

They say that more than 50% of local people have tattoos. I have not found any trustworthy statistics on the question so I will not insist on the data.

That guy looks like an actor from the “Social network”, he was standing with an opened mouth all the time so I got the idea that he could not close it physiologically.

As I mentioned above, the waiting was a common way to spend time during the festival “Big Day Out”. 

That music-fancier, who is fond of listening to electronic music, is grinning at  biting texts of Die Antwood.

A drunken girl (most of participants got drunk before going to the stadium) with a worried face expression is waiting for her friend to come out of the toilet.

A spider man making a joint. It is One of my favorite pictures in the series.

Sun-burnt necks and shoulders.

That unfamiliar guy with a watermelon wrote me after the photos had been published on Facebook, so I sent a full-size photo to him.

A person on the left came there, apparently, in a T-shirt bought at the previous festival BDO. Then Muse and Groove Armada had been the headliners.

Fancy-dress clowns again, as if in protective suits. They ungracefully showed fucks, and dirty-mouthed much, too.

There was such a strong smell of grass in the crowd that many people felt good and free as if of themselves.

A young person in fashionable glasses and with a fashionable haircut. Behind his back, there is a 3-D matrix consisting of little table-tennis balls. There are multi-coloured diodes inside each of the balls. The whole construction, of course, is switched to a computer which creates the light show.

Very brutal Die Antwoord.

Why is it so that if you miss the moment of unexpectedness, people start showing tongues and make faces, Max Lemesh, who shoots the night life of Auckland, can affirm it. It could be such a nice couple!

Positive summer mood.

To be continued with two parts.

 

 

 

 

 

Кто едет в Новую Зеландию?

Здесь в Окленде я получил странное письмо, в котором ещё не понаехавший, но остроглазый потенциальный иммигрант озаботился, глядя на количество языков на сайтах образовательных заведений (китайский, индонезийский и прочие) не слишком ли тут много «этих».

Не будем разбираться сегодня, откуда растут ноги у такой заочной ксенофобии. Отмечу лишь, что подобные мысли являются одним из первых симтопов синдрома Моего Народа, не раз упоминавшемся в этом блоге. В озвученных и дополненных мной правилах «Когда не стоит эмигрировать» эта тема была затронута:

Если у вас проблемы с терпимостью
За границей принято иметь своё мнение на любого рода вещи, будь то гомосексуализм или расизм. Людей не переделать и на базовом уровне стая всегда против меньшинства. Однако, в отличие от России, где нетерпимостью бахвалятся, здесь держат своё мнение при себе. Публичным гомофобом, к примеру, быть стыдно. В основном потому, что не принято быть невежливым долбоёбом и ставить по любому поводу незнакомых окружающих тебя людей в неудобное положение.

На этой планете, где о правах человека не только в книжках пишут, отвратительное слово «толерастия» придётся забыть, поскольку здесь его не знают. И ваши личные проблемы в виде любых проявлений нетерпимости малого кого интересуют. Будьте взаимовежливы и никто не напомнит вам, что вы иммигрант.

В поисках ответа на насторожившее меня письмо наткнулся на не самый новый, но весьма показательный документ: «Этническая принадлежность иммигрирующих в Окленд — 2006». Сэкономлю время читателям и вкратце перескажу интересные, на мой взгляд, моменты.

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Новая Зеландия в движущихся картинках от Вадима Кудабаева

Здесь в Крайстчёрче мой хороший знакомый Вадим Кудабаев (Biseptoon) продолжает ебашить сногсшибательные видео о Новой Зеландии. Получается динамично, цветасто, взрывоопасно.

На видео выше вы увидите два дня в Квинстауне, небольшом туристическом городке на Южном острове. Квистаун — наша маленькая Швейцария, где в любое время года хорошо, и есть, чем заняться. Полгода назад Вадим и компания отмечали там Новый 2012-ый год, на днях Вадим собрал впечатления в представленном вам видеоролике. Снято на GoPro Hero2 и Nikon D3100 (одолженный у Ивана Кульмана), кадры с банджи частино сделаны командой Kawarau Bridge Bungy (место, откуда началась банджи-истерия).

Музыка: Coyote Kisses — Acid Wolfpack, 2011

В продолжении поста таймлапс-видео, показывающее, как выглядит переезд, а точнее «переплыв» на пароме с Северного острова на Южный. Когда в Крайстчёрче был из-за снежной бури закрыт аэропорт, Вадиму пришлось воспользоваться водным транспортом.

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Мадонна 2.0 в Окленде


Отвратительного качество видео, которое я записал в конце выступления.

Здесь в Окленде прошли три концерта Леди Гага. Чтобы посмотреть на диву пока она в расцвете сил, для галочки, решили сходить. Не сказать, чтоб я был большой фанат самоназначенной королевы фриков, но, думаю, никто не станет отрицать, что Леди Гага — уникальное явление, сравнимое с Битлз, Гарри Поттером, Майклом Джексоном и прочими глобальными истериями. Очень было интересно оказаться на шоу одной из самых популярных поп-звёзд действительности двадцать первого века. (Редакторы MTV на своей странице поставили её на первую позицию.)

Ну, что я могу сказать по заверешнии этого вечера? Шоу заебись, риторика хромает. Гага много говорит во время выступления, много повторяется: мол, я была фрик, и теперь я «вышла из шкафа» и стала самой собой, не плохой, не хорошей, но такой, какая она есть. Важный месседж для неопределившихся пятнадцатилетних с забитыми гормонами мозгами и гей-комьюнити, однако — и это читалось по лицам людей постарше (30+) — для остальных сие не так уж важно. «Я урод, и рождена такой» — уж третий альбом подряд об этом, мы как бы поняли.

При этом, безусловно, Гага создана для сцены и чувствует себя там органично. Нелёгкое это дело. В середине концерта элемент бутафрии, представляющий из себя флагшток (пластиковый или деревянный, чёрт его знает), весьма заметно приложил диву по голове (видео). Невзирая на сотрясение, Леди Гага, как профессионал, допела программу до конца. Звучала местами, как Cardigans, где-то как Дэвид Боуи, Мадонна, хваталась за промежность, как Майкл Джексон; играла на фортепиано, разговаривала с публикой (много), даже поздравила плачущую от счастья пятнадцатилетнюю Манишу из первого ряда с Днём рождения — всё, как положено. Зрители не зря заплатили деньги.

Гага всего лишь 26 лет и, если верить тому, что она с 13 лет занималась музыкой и танцами, то именно сейчас она перешагнула рубеж 10000 часов (т.н. «Правило 10000 часов»), который, по мнению некоторых психологов, является пороговым значением, за которым высочайший уровень мастерства. Тур «Бал монстров» включил в себя 201 концерт, нынешний «Born This Way» по словам певицы может продлиться до конца 2013 года и состоять из более чем 500 шоу. Талант традиционно переоценен, труд и упорство побеждают. Немного противоречит идеологии «кесарю кесарево», не правда ли? Талантливых много, упорных гораздо меньше.

Football game in Kathmandu, Nepal

Here, in Katmandu, people like football (proper one, that in US called ‘Soccer’) very much. They play volleyball and lapta too but not very well. We came to Katmandu as participants of a photo workshop and succeeded in getting to the football field free of charge. My fellows showed driving licenses, I produced a shining pass to the New Zealand School of English. After that we were allowed to do everything. We could even go out on the field if we would. Pavel’s theme of the Sergey Maximishin’s masterclass we were undergoing in Kathmandu was “Resting”, and he photographed himself every other minute and in every place, say, in front of some picturesque football fan in the stands. He used to squat down in front of a fan at almost no distance of a mere foot away and looked at him through his camera. I asked him whether people felt bothered by the blind spot created by him and his camera. He said that it bothered them very much, and added: for the first ten minutes only. Our fellow Nick was bored at the time and sluggishly idled about in the area of the goal though the ball kept ignoring the goal line.

The match was kind of super final, so the stands were full and the price of tickets was up to 500 rupees. There were three kinds of entrance tickets: proletarian tickets for wooden benches outdoor, VIP tickets – for plastic chairs in the veranda, and super VIP tickets – for the row of plastic seats along the field boundary. I was a little surprised and alerted by the amount of guards at the stadium. They didn’t allow to take pictures of themselves.

The game was nothing special at all. The goalkeeper used to kick the ball out when threw it in, players kept tangling in their own feet and managed to score a goal only in the end of the game when everybody got tired. As I got it, the most part of people there supported guys in a black uniform. Perhaps, it was a national team of Nepal. But for all that, the game still hindered our efforts to take photos.  It kept drawing our attention from cameras  and not once I caught myself watching the ball. Have to say that people were not very active in showing emotions. After the only and decisive goal nobody became hysterical and no one jumped with joy. Instead of forming a hysterical wave they just raised their arms and sticked thumbs out as if saying “super”. I got lucky to find one teenager in the whole crowd, who jumped, shouted and applauded. He was surely playing up to my camera.

Our visit to the central stadium in Katmandy showed again that football had no boundaries.